1, written after Pauer completed his book, is nonetheless a work that should almost be emblematic of this key. There’s nothing by Mozart in B flat minor, but we can find it in the music of Tchaikovsky. Pauer’s key characteristics for B flat minor is that it is “…a key full of gloomy and somber feeling, like E flat minor, “ and he goes on to note that it is little used.
For the rest of the major and minor keys, he left us the attributes but not the list of pieces. Samuel Barber Credit: our earlier series on C major and minor, G major and minor, and D major and minor, and A major and minor, E major and minor, B major and minor, F sharp major and minor, C sharp major and minor, A flat major and minor, and E flat major and minor, we listed Ernst Pauer’s suggestions from 1876 of pieces that fit the particular affect he assigned for a key.
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